The Courtauld Institute of Art Gallery ☆☆

The first room of the Courtauld Galleries (Photo by Sailko)
The first room of the Courtauld Galleries
The first room of the Courtauld Galleries, Courtauld Gallery, London (Photo by Sailko)
Seated Nude (1916) by Amedeo Modigliani, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
Self-portrait with bandaged ear (1889) by Vincent van Gogh, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
Ambroise Vollard (1908) by Pierre-Auguste Renoir, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
Family of Jan Brueghel the Elder (1513–16) by Peter Paul Rubens, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
Portrait of Mrs. Margaret Gainsborough (1778) by Thomas Gainsborough, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
Montagne Sainte-Victoire with Large Pine (1887) by Paul Cézanne, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
Holy Trinity with Mary Magdalene, John the Baptist and Tobias and the Angel (Pala della Convertite) (1491–93) by Botticelli, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
A Bar at the Folies-Bergère (1882) by Edouard Manet, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
Autumn Effect at Argenteuil (1873) by Claude Monet, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
Two Dancers on the Stage (1874) by Edgar Degas, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
Painting 1937 (1937) by Ben Nicholson, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
Bridge of Courbevoie (1886–87) by Georges Seurat, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
Adam and Eve (1526) by Lucas Cranach the Elder, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
Virgin and Child (1525/27) by Parmigianino, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
The Card Players (1892–95) by Paul Cézanne, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
Nevermore O Taïti (1897) by Paul Gauguin, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
La loge (The Theater Box) (1874) by Pierre-Auguste Renoir, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
Landscape with the flight into Egypt (1563) by Pieter Brueghel the Elder, Courtauld Gallery, London (Photo courtesy of the Courtauld Institute of Art)
Somerset House was the civil service's first office block, built 1776-80 by William Chambers. In winter, the courtyard, formerly the taxmen's car park, is turned into a popular ice rink., Courtauld Gallery, London (Photo by Stephen Richards)

The University of London has a spectacular gallery of Impressionist and Post-Impressionist paintings

The Courtauld Institute of Art is a college of the University of London, and its gallery in Somerset House contains a small (530 paintings) but spectacular collection of Impressionist and post-Impressionist paintings (Monet, Manet, Cézanne, Renoir, Van Gogh, Modigliani, etc.) as well as a choice handful of Italian and Flemish Old Masters (Botticelli, Lucas Cranach, Rubens, Parmigianino, etc.).

The paintings themselves are very carefully chosen, most of them clearly masterworks (often this kind of small museum cobbled from private collections suffers from name-checking famous artists by acquiring minor paintings by them). 

Several are clearly quite personal to the artist:

  • Van Gogh's famous self-portrait with his head bandaged, painted just two weeks after he had cut off his ear (December 30, 1888). Note that he actually mutilated his left ear, but since he made this portrait by looking into a mirror, it appears to be his right ear.
  • Thomas Gainsborough's portait of his wife, Margaret.
  • Peter Paul Rubens's family portrait of his friend, sometimes collaborator, and fellow Flemish master, Jan Brueghel the Elder.
  • Renoir's portrait of Ambroise Vollard, a hugely significant French art dealer who was among the first to champion such up-and-comers as Renoir himself—along with then-unknowns Cézanne, Picasso, Gauguin, and Vincent van Gogh and many others.